The recording was made during one day of continual exploration and development.

The acoustic violin is routed through the player’s own electronics, and both of these sources are fed to Michael. These are in turn selectively captured through time, to be processed and re-performed with transformations shaped by gestural input or as static samples. The transformation processes are mainly time-based, with a focus upon the expressive nature of gesture, where the original contour and dynamic of a captured sound can be reformed and given a new trajectory.

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